Reproduction de Cercles dans un cercle de Vassily Kandinsky Galerie MontBlanc
Several Circles. 1926. Geometric abstraction. Oil on canvas. 55.1 × 55.1″ (140.0 × 140.0 cm) New York, The Solomon R. Guggenheim Museum. In the early 1920s, after Kandinsky’s return from Russia to Germany, his works got a characteristic geometricity, more space started to appear on the canvas, and the spontaneity gave way to the order.. Titre: Im Kreis (Dans le cercle) Créateur: Kandinsky, Vassily Date de création: c. 1914 Dimensions physiques: 48,9 x 48,5 cm Provenance: Legs de Nina Kandinsky, 1981 Mots clés du sujet: abstraction Type: Dessin Droits: Centre Pompidou, MNAM-CCI/Jacqueline Hyde , Centre Pompidou, MNAM-CCI/Service de la documentation photographique du MNAM Support: Aquarelle, gouache et encre de Chine sur.
Several circles, 1926 Wassily Kandinsky
Reproduction de Cercles dans un cercle de Vassily Kandinsky Galerie MontBlanc
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an abstract painting with circles and dots
Around the circle, 1940 Wassily Kandinsky
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Reproduction de Cercles dans un cercle de Vassily KandinskyN Galerie MontBlanc
FileVassily Kandinsky, 1926 Several Circles, Gugg 0910 25.jpg Wikipedia
In The Black Circle Wassily Kandinsky as art print or hand painted oil.
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Wassily Kandinsky Circles in Circle painting Circles in Circle print for sale
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Reproduction de Cercles dans un cercle de Vassily Kandinsky Galerie MontBlanc
Wassily Kandinsky Squares with Concentric Circles 1913 — Spiffing Prints
Circles in a Circle 1923 by Wassily Kandinsky Bentley Art Publishing
Color Study Squares with Concentric Circles 1913 Wassily Kandinsky in 2020 Circle painting
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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world’s treasures online.. Circles in a Circle. 1923 Vasily Kandinsky (French (born Russia), 1866-1944) In an entry for a 1950 collection catalogue of the Société Anonyme, the artist Marcel Duchamp wrote: “In tracing his lines with ruler and compass, [Vasily] Kandinsky opened to the spectator a new way of looking at painting . . . a clear transfer of thought on canvas.
